In August 1939, thirty-year-old Hetty Cartwright arrives at Lockwood Manor to oversee a natural history museum collection, whose contents have been taken out of London for safekeeping. She is unprepared for the scale of protecting her charges from party guests, wild animals, the elements, the tyrannical Major Lockwood and Luftwaffe bombs. Most of all, she is unprepared for the beautiful and haunted Lucy Lockwood.
For Lucy, who has spent much of her life cloistered at Lockwood suffering from bad nerves, the arrival of the museum brings with it new freedoms. But it also resurfaces memories of her late mother, and nightmares in which Lucy roams Lockwood hunting for something she has lost.
When the animals appear to move of their own accord, and exhibits go missing, they begin to wonder what exactly it is that they might need protection from. And as the disasters mount up, it is not only Hetty's future employment that is in danger, but her own sanity too. There's something, or someone, in the house. Someone stalking her through its darkened corridors . . .
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Creators
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Publisher
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Release date
March 10, 2020 -
Formats
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OverDrive Listen audiobook
- ISBN: 9780358309352
- File size: 286448 KB
- Duration: 09:56:45
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Languages
- English
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Reviews
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Publisher's Weekly
January 13, 2020
Healey animates the dusty halls of an old English manor house during Hitler’s bombing blitz in her impassioned if mannered debut. Assigned to safeguard a London museum’s taxidermied specimens during the Luftwaffe bombing campaign, assistant curator Hetty Cartwright accompanies the collection to the countryside. Lockwood Manor, home of Lord Lockwood, aka the major, though, is an ominous refuge. The house’s occupants include the major’s frail, grown daughter Lucy, whom he suggests should “not to be troubled with too many difficulties or dramas,” and their few remaining servants, and Healey conjures an eerie vibe with empty rooms and bricked-up dead end passageways. Each night, the museum’s animals seem to move on their own, shifting from rooms and cabinets, even disappearing. As Hetty and Lucy become close, Lucy shares stories about her mother’s descent into madness, evoking the Victorian theme of the madwoman in the attic and revealing the truth behind her unhealthy state. The story’s satisfying conclusion redeems the creaky period prose (“I cared not a jot”). This will be of interest for fans of revisionist gothic narratives in the vein of Sarah Perry’s Melmoth. -
AudioFile Magazine
Narrator Sarah Lambie does double duty in alternating chapters as Hetty, an associate at a natural history museum, and Lucy, the terrified daughter of Major Lockwood of Lockwood Manor. It's WWII, and London is being bombed, so Lockwood offers his country estate to house the museum's collection of mammals. Hetty is sent to live at the manor and watch over the collection. As Hetty, Lambie sounds organized and matter-of-fact, very much the cool, determined professional woman in a male-dominated workplace. As Lucy, Lambie uses an ethereal tone, particularly as Lucy reveals monstrous truths. In this modern gothic, animals disappear, chilling screams pierce the night, and tales of abuse and madness abound. An appropriately horrific conclusion is worthy of the genre's best storytellers. Lambie makes it all exceptional listening. S.J.H. © AudioFile 2020, Portland, Maine
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