Redwood and Ponytail

Starred review from July 15, 2019
Two middle school girls grapple with their blossoming feelings for each other in this verse novel. Tam is a volleyball player sometimes mistaken for a boy. Kate is a popular cheerleader. When they notice each other at seventh grade registration, Tam sees a walking cliché with a perfect ponytail, while Kate sees a girl as "tall as a palm tree." When they meet face to face, they strike an immediate rapport. Soon the two are having lunch together every day and linking pinkies in the halls. As they grow closer, each finds herself questioning who she thought she was. Tam doesn't know how she fits into Kate's seemingly perfect world. Kate, who has spent her life trying to live up to her shallow, perfectionist mother's expectations, wants to go her own way, a process that includes deciding whether or not to admit her feelings for Tam. Tam and Kate share the first-person narration, which keenly conveys each girl's joys and inner turmoil. The dual narratives play off of each other, sometimes in a call-and-response manner that clearly communicates the shyness, awkwardness, and confusion of first love. A trio of unseen watchers, identified as Alex, Alyx, and Alexx, collectively represent the observant school-hallway bystanders, providing commentary and speculation in the manner of a Greek chorus. Their verses can be read vertically or horizontally, resulting in multiple meanings. Characters are racially ambiguous. A glowing, heartfelt addition to the middle-grade LGBTQ genre. (Fiction. 8-14)

COPYRIGHT(2019) Kirkus Reviews, ALL RIGHTS RESERVED.

August 5, 2019
Holt (Knockout) once again offers keen insight into the social pressures and vulnerabilities of middle schoolers in this novel in verse, which traces the mutual attraction between two seventh grade girls. “Tall as a palm tree” Tam, a jock,
is sometimes mistaken for a boy; “with her “perfect/ swinging/ ponytail,” Kate resembles “every clichéd cheerleader.” Despite their differences, though, they establish a friendship that evolves into something deeper. Conflicts arise when Kate’s friends and social-status-obsessed mother disapprove of Tam, and she fears that people will see her as “twisted up,/ not right” because she is gay. Ultimately, she must choose between molding herself into the girl her mother wants her to be and following her own path. The girls’ interior monologues, sometimes merging on the page, sometimes visually set apart, effectively show their shared feelings and contrasting perspectives, and the voices of three onlooking students function as a Greek chorus, highlighting transitions in the girls’ relationship. In a story thoughtfully formed and eloquently executed, Holt offers affirmation and hope to readers struggling to fit in. Ages 10–14. Agent: Ammi-Joan Paquette, Erin Murphy Literary Agency.

Starred review from July 1, 2019
Grades 5-8 *Starred Review* With her latest novel in verse, Holt returns to the world of House Arrest (2015) and Knockout (2018), this time turning her focus to the story of Kate and Tam. Kate, with her perfect swinging ponytail, is next in line to be cheerleading captain, much to the satisfaction of her demanding, ex-cheerleader mother. Tam, tall as a redwood, is a popular volleyball jock whose hippie mother and elderly lesbian neighbors help her feel free to be herself. When the new school year brings the two girls together, they form an immediate bond, but it's a friendship that soon feels like something more, and each of them must make sense of their feelings in the face of first love and the pressure of outside expectations. The free verse narration is totally accessible, flowing quick and clear, and Holt plays with form, beautifully highlighting the parallel internal journeys, often achieving something akin to a musical duet. Ultimately, this is a middle-school romance concerned with the thrilling, confusing, world-shifting emotions of that age. In an afterword, Holt writes that this was the book she needed when she was a kid, and all kinds of children will find hope in what, more than anything, is a moving story well-told.(Reprinted with permission of Booklist, copyright 2019, American Library Association.)

January 1, 2020
Seventh grader Kate's ("Ponytail") life is largely defined by pressure from her mom to become captain of the cheerleading squad and by her friends' similar expectations; less popular, gangly girl Tam ("Redwood") has had a freer upbringing. A friendship with a tinge of rebellion (Kate breaks cheerleader tradition by sitting with Tam at lunch) leads to their holding pinkies but not, for a while, being able to talk about what that means, as Kate struggles with whether or not to claim lesbian identity. The verse novel's narration, with mostly short lines that emphasize the characters' emotions, alternates between Kate and Tam, with some poems juxtaposing their concurrent thoughts or showing conversations between them. Interspersed observations from the gossipy Greek chorus of Alex, Alyx, and Alexx underscore the constant scrutiny Kate and Tam face from their fellow middle-schoolers--though a late exchange with cheerleader friend Becca suggests that their classmates might be more understanding than they'd thought. The format contributes to an air of drama; Holt takes the girls' seemingly small-scale concerns, and their larger implications, seriously.

(Copyright 2020 by The Horn Book, Incorporated, Boston. All rights reserved.)

January 1, 2020
Seventh grader Kate's ("Ponytail") life is largely defined by pressure from her mom to become captain of the cheerleading squad and by her friends' similar expectations; less popular, gangly girl Tam ("Redwood") has had a freer upbringing. A friendship with a tinge of rebellion (Kate breaks cheerleader tradition by sitting with Tam at lunch) leads to their holding pinkies but not, for a while, being able to talk about what that means, as Kate struggles with whether or not to claim lesbian identity. The verse novel's narration, with mostly short lines that emphasize the characters' emotions, alternates between Kate and Tam, with some poems juxtaposing their concurrent thoughts or showing conversations between them. Interspersed observations from the gossipy Greek chorus of Alex, Alyx, and Alexx underscore the constant scrutiny Kate and Tam face from their fellow middle-schoolers�? though a late exchange with cheerleader friend Becca suggests that their classmates might be more understanding than they'd thought. The format contributes to an air of drama; Holt takes the girls' seemingly small-scale concerns, and their larger implications, seriously. Shoshana Flax

(Copyright 2020 by The Horn Book, Incorporated, Boston. All rights reserved.)

Starred review from July 15, 2019
Two middle school girls grapple with their blossoming feelings for each other in this verse novel. Tam is a volleyball player sometimes mistaken for a boy. Kate is a popular cheerleader. When they notice each other at seventh grade registration, Tam sees a walking clich� with a perfect ponytail, while Kate sees a girl as "tall as a palm tree." When they meet face to face, they strike an immediate rapport. Soon the two are having lunch together every day and linking pinkies in the halls. As they grow closer, each finds herself questioning who she thought she was. Tam doesn't know how she fits into Kate's seemingly perfect world. Kate, who has spent her life trying to live up to her shallow, perfectionist mother's expectations, wants to go her own way, a process that includes deciding whether or not to admit her feelings for Tam. Tam and Kate share the first-person narration, which keenly conveys each girl's joys and inner turmoil. The dual narratives play off of each other, sometimes in a call-and-response manner that clearly communicates the shyness, awkwardness, and confusion of first love. A trio of unseen watchers, identified as Alex, Alyx, and Alexx, collectively represent the observant school-hallway bystanders, providing commentary and speculation in the manner of a Greek chorus. Their verses can be read vertically or horizontally, resulting in multiple meanings. Characters are racially ambiguous. A glowing, heartfelt addition to the middle-grade LGBTQ genre. (Fiction. 8-14)

COPYRIGHT(2019) Kirkus Reviews, ALL RIGHTS RESERVED.